Control

The life of the nameless protagonist, highly influenced by cinema and literature, is based on such solitude and passivity that his world becomes a solipsistic skein in which he is the only person with a voice to the point of imagining that he is the director and center of a Truman Show-style movie, with an audience represented in laughter and murmurs that only he hears, whom he calls "They".

The encounter with other people will allow him to externalize what his present has become and the climax of the play leads him to a crisis that will help him understand his life and his past, which until then he only somatized through the scripts he has been writing. In this way, he will finally be able to have a chance to integrate into humanity.